I interviewed the looooooovely Tess Parks for The 405!
Despite pornography possibly taking up some 37% of the internet’s pages, the variety of adult films on the web is not… varied. But gone are the restricted days of PVC-laden, semi-tacky adult entertainment for those who want something more creative with less bad acting.
XConfessisions is pretty much the Ladies’ High Tea and Sex Society of the PostSecret world, a website where your confessions are made into films by Swedish erotic film director Erika Lust (yeah that’s actually her real name).
The public can post their ‘fantasies’ and two a month will be picked and made into real films by Erika. On why she decided to begin the project, she said she was tired of “the stereotypical porno-glam and porno-cheap imagery flooding the internet”. Agreed.
You can tell by the titles such as ‘A Weekend In The Garden of Eden’ (lolz) and ‘Romance Bullshit’ that unlike some films, there isn’t a mass of distasteful, misogynistic content. And you won’t need ‘Tittiecoins‘ to pay for it. You don’t even need to pay at all. You can watch two videos for free or sign up for monthly subscriptions which give you access to all films that you won’t feel weird about after watching. Heck you can even inspire a film to be made. Go make a confession.
I talk to cap enthusiast and artist Katja Lindeberg about Cap Culture, an exhibition about cap culture
What do you think of when you imagine a cap? Your dad circa ’99 donning a tatty navy number with an England flag across the front? Or my dad on our Florida holiday with the FBI ‘female body inspector’ number? We can forget about that last one… Luckily for all of us a few of Sweden’s cool girls are making the cap cool, totally adorable, and for girls.
The awesome Katja Lindeberg, a gal who quit her job to pursue music and run a ‘förening’- a kind of open art community space- teamed up with the sass queens behind Beanie Babes Club, pastel coloured Arvida Bystrom and Girls Get Busy zine’s Beth Siveyer, to host an exhibition all about, you guessed it, caps.
Taking place last week at Katja’s space at Stockholm’s Drömfakulteten, Swedish for Dream Faculty, Cap Culture featured caps from a small crew of designers, saw cap enthusiasts displaying their cap collections and of course the Beanie Babes running a stall. The main aim of the event was centred around our relationships to caps and to provide a question into why caps have always been aimed at our male counterparts.
I spoke to Katja about Cap Culture and what it was all about.
Firstly, how did the idea for Cap Culture begin?
Katja: Beth [Siveyer] wanted to have something with these caps that Grace [Miceli] did, aka Art Baby. And then Arvida and I started discussing having it here [at Drömfakulteten] and what else we could do with it since we both love caps and working with these kinds of projects.
What was the the point or meaning behind cap culture and what do caps mean to you?
We’re still kinda working on this topic, since it has so many angles and topics. It’s not just about caps and how they look, who wears them, when and why etc. But also the whole discussion about any type of headgear and identity. Personally I think it’s really interesting to hide behind caps, I feel safer and also not as sexualised when I wear them. Also I realised there’s not much information or stories about girls in caps, so we thought we might inspire and initiate this idea for ourselves and other people more.
Who was involved in the exhibition?
A lot of people got involved in one way or another, but Beth, Emma and I were pulling most of the strings originally. Then a lot of people who we’re exhibiting helped making it all happen.
Who would you most like to see getting involved in the idea of wearing caps to inspire more girls?
I guess the whole idea of having so many people exhibiting was to make sure that we won’t just get ONE story, image or idea from only one person. But rather to scatter the stereotypical mainstream image people have of caps and letting people decide for themselves what to do with it.
You’re probably going to feel like wearing a cap now and can get ones suitable for any outfit by checking out Beanie Babes Club. Otherwise, Katja ensures they’ll continue the exhibition somehow and since Emma/Arvida lives in London partly they might do something there as well.
The high street is increasingly using shock tactics to promote themselves.
Remember the days when in order to want to see that new Tom Hardy movie you’d have had to have seen the ad in a bus shelter, or to know you were desperate for the next Mulberry handbag Alexa Chung’s papped Bambi arm would be plastered across the style pages of your favourite weekly. Wether it would be giving celebrities free ready-to-wear or simply advertising your garms old-school style with a double page spread in a magazine, it seems the wind has changed in order for brands to market themselves. And it’s not pretty.
Seemingly ironic, it seems, respectable and successful brands are using shock tactics to gain publicity. You know, any publicity is good publicity and all that but it may seem peculiar or even dumb to most of us, and I’m no advertising graduate, but even if these have been a series of fashion faux pas, it’s easy to see it’s working.
A couple of days ago angry Matalan customers took to Twitter complaining that the latest children’s onesie campaign is racist, as the only two black children are sporting monkey PJs. Deliberate or not (the photos are still on the website), spurring an influx of free advertising for them, as this story has been covered by our country’s main news sources. And now us.
The most notorious brand to catch wind of the embarrassing new way to promote themselves is, of course, Urban Outfitters. Their most recent offensive item as you’ll know, was the faux-bloodstained Kent State Sweatshirt, which has been understood as a reference to when four unarmed students were shot and killed at Kent State University in the 1970’s during a Vietnam War protest. But the company’s shock-tactic tendencies go on. From t-shirts in early 2014 reading ‘depression’ and ‘Eat Less’, to the ‘Obama/Black’ colour choice and the ‘racially demeaning’ Navajo-labelled collection, it’s hard to tell wether they’re after popularity or omnipresence.
Perhaps they needed more publicity or fancied being a little more like UO, but earlier this year Zara were next to board the ship to taboo town. According to the internet’s most diligent, they were selling a children’s tee garnished with a gold star which closely resembled a Nazi concentration camp uniform. Earlier they saw a backlash against a tee emblazoned with ‘White Is The New Black’ and unfortunately for them, they also ‘accidentally’ released a bag featuring a swastika design in 2007, but then removed the bag from sale swiftly after a customer returned it in shock.
Even sweat-shop free liberal lovers American Apparel anger the public over and over again with racy and lacy campaigns, including alleged pornographic up-skirt shots for the new back to school range. As much as we can love these brands, what seems to be most confusing is the suspicious rising level of them using shock tactics to market themselves. Maybe they revel that the rebel in us might be drawn to purchasing from brands which flaunt themselves as controversial. Even if sales aren’t even effected it does gets us sharing repeatedly, Dazed’s article on the blood stain jumper received over 5.8k likes.
How many times did you see it linked on Facebook or ranted about on Twitter? Just like Lena Dunham pointed out that searching the internet for the leaked nude photos of Jennifer Lawrence or Cara Delevigne, sharing the latest offensive marketing campaign is a mirror image of giving the nudes more page views (oh the irony of writing an article about it).
Not in a million years am I saying you’re a bad person if you’ve shared news pages of the blood stained jumpers or ‘Eat Less’ shenanigans (though you are if you hunted for J-Law’s boobies). We simply need to be aware that although it seems your favourite clothes store has made a huge mistake employing a crass designer, what they’re actually working towards is making you love and purchase from them more.
Women under 25 are ignoring vital signs of cervical cancer for as much as three months, research shows.
This is a great cause of worry as delaying getting checked can increase the risk of cancer cells spreading to other areas of the body before it is treated.
The study, published today in the British Journal of Medical Practice, suggests women are not taking cervical cancer seriously enough.
The fault though, is not in women but the lack of awareness this form of cancer receives. Considering it is the most common form of cancer amongst women under 35, claiming 1,000 lives a year, many women still don’t know what any of the symptoms are.
According to the study, under-25s are more likely to delay seeking help than women over 25 and of 26 under-25 women asked, 100% didn’t know the symptoms of cervical cancer.
Maddy Durrant, Communications Manager of Jo’s Cervical Cancer Trust said it’s incredibly worrying that none of the girls knew any of the symptoms. “Early diagnosis is really key to a good chance of survival after diagnosis of cervical cancer and if women don’t recognise symptoms then they’re not going to visit their doctor. Potentially they’re not going to be diagnosed early enough.”
The charity is trying to raise awareness even though those symptoms can be be attributed to a whole host of other issues and illnesses.
Durrant is concerned that the HPV vaccine, which has been offered to girls aged 12-13 since 2008, has made girls more relaxed about cervical cancer. “[It] is a concern we have that if women have had the vaccination they won’t go for a screening at 25 because they don’t think they’re at risk when actually it only protects against 70% of cervical cancers.”
“Jo’s Cervical Cancer Trust is working hard as a charity to run targeted awareness campaigns but there is still a lot more that needs to be done.”
The main symptoms include vaginal bleeding during sex or in between periods, pain and discomfort during sex and unpleasant smelling vaginal discharge. To view all of the symptoms and for more information click here. (more…)
Hi blog, it’s meeeeeeee! Sorry I’ve abandoned you yet again, but for a good cause I promise. I’ve just got back (to England’s August winter?) from a 3 week trip around Europe, where we found some amazing, yet completely unnoticed places which need to be visited. Whether you’re just about to embark on a glam Eurotrip, or are planning a journey of adventure for next summer, I have a few recommendations which you babes should check out.
Spreepark: Berlin’s Abandoned Theme Park
Aside from underground clubs and visits to galleries and museums, if what you’re hoping for is to see all of Berlin, you have to go to Spreepark. The theme park which was unfortunately closed down in 2001 following a decline in visitors after the fall of the Berlin Wall, was a 29.5 hectare wonderland to those living in the 70s and 80s. It doesn’t look like your usual Thorpe Park/Alton Towers package of course, but you will be reasonably excitable/creeped out during your visit. The park is supposedly guarded 24/7, so the best time to go is at night, but really don’t do that because you might die. So go during the day and don’t wear your favourite heels as some climbing of fences and obstacles may be on the agenda. You will need to get the S-Bahn to Treptower Park, a short journey from central Berlin, and ask somebody how to get there if you don’t have the internet. There are occasional gaps in the fencing where if you’re not 6ft tall you will be able to squeeze, otherwise climb over the fence. Enjoy and take photos while you can before a man in a yellow car spots you.
Address: Kiehnwerderallee 1-3, 12437, Berlin.
How to get there: Get the S-Bahn to Plänterwald or Treptower Park and walk.
SZIA Adomanybolt: Budapest’s best thrift store
It’s not worth attempting to bump into charity shops or vintage stores in Budapest, as you’ll probably end up walking in gigantic, hopeless circles. Instead you should cut to the chase and go to SZIA Adomanybolt, a shop with platforms of dreams and velvet so heavenly, you’ll think you walked into Net-A-Porter’s Hungarian equivalent. What’s the best part though, is the store is devoted to raising money for a children’s charity. You can also consider the prices before visiting – they don’t exceed 600 Ft (less than £2!!!!!).
Address: Budapest, XI. District Budafoki 17 / a
Metelkova City: Ljubljana’s autonomous social centre
If you fancy a night out to a place on the other side of the spectrum from a venue you’ve been to before, come here. A former military barracks-then-squat, Metelkova comprises of a vibrant group of multicoloured buildings including clubs, bars, an art gallery, artists studios, designer spaces and offices of cultural organisations and concerts. When you first walk in you may reevaluate what the fuck you are doing there, given at first impression it’s kind of intimidating. But give it two minutes and you are overcome with a sense of comfort and indulge in what is the brilliant urban community of Ljubljana. I guarantee you will meet the nicest people here, so on any evening of the week, drink €1 wine and look out for Mike playing the african drums. Warning: this is not your typical heels-and-clutch scenario and their ‘Schnapps’ is not the Schnapps we know.
Address: Metelkova 1000 Ljubljana, Slovenia
To overcome pressures and figures offered from other record labels, Peckham’s hot gross-boys the Fat White Family have decided to start up their own label.
The band, which a lot of my friends will hate, featuring members Joe and Saul from the late 2000s ‘punk n roll’ band the Metros (who we all adored during school), has become increasingly in the spotlight of underground and mainstream labels, but PIS, a record label licensing division offered the band their own label.
“The band attracted a lot of interest from labels both big and small over the last few months but when I met with Craig Caukill and was asked if the band would like their own label this became the obvious solution,” the band manager Stuart Green said, according to Music Week.
“It means the band retain their independence and are in control of their own destiny. This is something I have always sought for every artist I have worked with and consider this to be the most exciting deal I have ever been involved in.”
Named after one of their early songs ‘Without Consent’, the label will feature a new single this summer and their next album following their debut Champagne Holocaust. Along with their own work they will release stuff from new artists they like and ‘a selection of as yet unnamed classic blues rarities’. Mysterious.
If you haven’t listened before, listen now!
The Fat Whites are playing Field Day this Saturday and I reaaaaaally wish I could go
Something I’ve learnt through my experience of the girl to woman transition is that you just have to be comfortable with the way you are and look. You’re never going to have another face, another body, another brain, so you may as well make the most out of it. Obviously during our angsty teen years, we were full of anxiety, despair and love trying to figure out what the hell was going on and why my nose was so big, but there was always an overhanging kind of conduct floating around school: the girls had to be pretty and the boys had to be manly. That was pretty much it, give or take. God forbid we went to school not feeling attractive, without face powder, or you’d lost your umbrella and it rained on route. In your young mind you were literally screwed.
Obviously this is still the case. Lately I’ve been growing curious and frustrated why I can’t work out why I want to look sexy or nice or ‘womanly’. At first I was under the impression it was for myself. After all, there are dozens of self-appreciation articles and inspiring quotes about loving yourself for yourself and all that stuff. But when I really sat myself and myself down together in my head, I had to be honest. Was it really for myself? Or for my contemporaries and the strangers, both men and women. Have I been utterly and completely deluded? Am I sexually objectifying myself every time I go shopping, or wear a short skirt because I feel good wearing it? Can I enjoy fashion without objectifying myself? As you can see it’s been a pretty confusing time.
And here comes that old chestnut. For as long as we have known, women have been objectified. Women are objectified to sell things. After all, sex sells, duh. Women are sold for sex and are seen frequently half naked in advertising campaigns and every fashion magazine. There’s the feeling we have to look a certain way or boys just won’t like us. But is it only the female gender pressured to look and be a certain way?
Simply, no. This started off as an article about the pressure women have to look fancy and sexy, but obviously, I realise these issues surround both genders. Forever boys are pressured to be more manly and muscly, ‘grow some balls’ or to ‘stop crying like a girl’. The pressure to like certain things, such as football. Go to football club, not ballet. And for girls, go to ballet, not football. But the thing is, we’ve been protesting about feminism, and it’s gaining a hell of a lot of new followers and admirers which is fantastic, obviously, but it’s easy to lose sight of the other problems surrounding gender equality, and it poses many problems for both genders, not just females.
While I try and maintain my ‘all genders will be equal eventually’ (don’t forget transgender) mindset, it is easy to be swept away by how inferior or unfortunate it can be to be a woman. For example, I asked 34 girls about their catcalling experiences, and some, of course were tame and girls ‘should just get over it and be complemented’, but it’s easier said than done. One girl had experienced a passing car throwing a drink at her out of the window, and being called a slut. Another was asked to get in someone’s car and ‘complemented’ on her nice tits. The rest of the scary ones were scary. But street violence doesn’t end at girls. According to a report by the Center for American Progress, LGBT individuals reported high rates of discrimination in public spaces, as well as gay residents who took a 2001 survey.
There are other problems of course. Body shame and analysis, abusive pornography and sexual violence are amongst them, but nothing denies the effects this has on our society’s humans. While sexual objectification can lead to sexual violence, body dysmoprhia, anxiety, depression and eating disorders are real issues for those containing all types of genitals.
While eating disorders are statistically more common among young women, an estimated 10-15% of people with anorexia or bulimia are male. According to ANAD (National Association of Anorexia Nervosa and Associated Disorders), men are less likely to seek treatment for eating disorders because of the perception that they are “woman’s diseases”. How fucked up is this? Somebody is ill, yet because of the perception, doesn’t seek treatment. So what if more women are effected, does that mean a man should be more embarrassed to have an eating disorder?
The examples are endless: ‘Manly’ things include body hair, low voices, liking football, being a tough cookie, not having emotions, not talking to their friends about problems because that would be wimpy. ‘Girly’ things include being as smooth as a prepubescent child, wearing make up and nice lingerie, not holding up highly powerful jobs because we are ‘emotional’, being weak physically and mentally, ladylike, blah blah blah.
Ellen Lamont, a Sociology PhD student at New York University who specialises in gender, family, sexualities and power theories, has recently done a study on gender roles in relationships. Many participants believed that when it comes to dating, men are responsible for asking women out, paying for dates, determining when the relationship will shift from casual to committed, and proposing marriage. Other findings were that women feared rejection from men if they initiated a date, or other courtship activities. When I asked Ellen about the study, she said, “I definitely think the attitudes should change because men and women immediately begin relating to each other as men and women rather than as individuals and that is what reinforces these beliefs that men and women are more different than they are similar.”
I’m not calling for you to take up ballet, stop wearing make up and grow body hair, because I’m still wearing my pencil skirt and sxc pants. I’m simply calling for us all to take a step back and rethink when we judge someone based on a prejudice you withhold in the name of gender stereotyping. This is a sad truth that needs to be vocalised amongst all gender stereotypes to hopefully save our young growing boys and girls, because everyone’s different for God’s sake. It’s obviously not our individual faults, society can be a bitch. But the next time you think the guy should’ve paid for your dinner or the girl was gross for having fanny hair, remember none of us would be here if it wasn’t for the woman and the man.
Jim Stoten is the name of the ideal love child of an illustrator and a psychedelic rock n’ roll musician who let their child have free roam. Also tutoring for Brighton University among others, Jim received the pride of Cartoon Brew’s Artist of the Week. He’s a professional illustrator who’s worked for the likes of the New York Times, MTV and Urban Outfitters, however his talents don’t end here.
For the past decade, Jim had been recording songs secretly in his bedroom and bathroom, experimenting with many an instrument and taught himself to record, creating, what he says he couldn’t find in the music world before. “I knew what I wanted to hear in music, and sometimes, I would find it frustrating that what I wanted to hear did not exist, so I found ways to make the music I wanted to hear. Then I’d listen to it until I got bored with it, then I’d make some more.”
It wasn’t until February of last year Jim decided to post his music for all to see on Bandcamp. The first featured in the discography was ‘Bear Care’ where he borrowed an 8 track tape recorder from his friend, which he says he got completely obsessed with. Alongside his electric/acoustic guitar and organ, his form of percussion for the record was characterfully hitting the microphone or touching the input on his guitar. The second secret album was named ‘Monday Night Special’, where he states he got really into harmonies, multi layering and arrangement. You can see his musical maturity blossom, considering the 6 year gap between this and the first.
It had been four years since the former however, that Jim decided to share his psychedelic delicacies with the likes of you and me. “I don’t know why I kept it to myself for so long. I think I was just making music for myself. Over 10 years, I just built up a big collection and when I was looking back through it all, I realised that the first recording I made was 10 years ago, and it just made sense to share it.”
Now that it’s been 5 years since he recorded ‘Monday Night Special’ in his studio in Ipswich, Jim made his way to Scotland to spend a week completely alone recording the new addition to his music babies ‘On A Flying Frog’. The week comprised of him hardly sleeping, preparing lyrics, learning the ropes of a proper studio and lots of whiskey and coffee. “It was a really good week and I fully recommend going away for a week and doing the thing you love most for the whole time, as long as what you love most isn’t something terrible. I wanted to go and do something that I could allow to take up all of my time and focus. It’s an amazing feeling to have nothing else to think about except a project that excites you.”
On first thoughts I thought it sounded a little lonely, but Jim said it wasn’t lonesome, but quite a strange experience. “I just enjoyed getting completely lost in the task I had set myself. I hardly ate, I didn’t talk to anyone, I just woke up early, made coffee and started writing and recording until I got tired in the early hours of the next morning. I’d go for a little walk and look at the sky changing colour. It was magical.”
You can hear, and tell, quite incredibly the level Jim has matured musically, when hearing ‘On A Flying Frog’ and looking back on his earlier tracks. This being the first album he actually wrote lyrics down for, the songs seem to have meanings deep and miscellany. This was also the first time Jim had to learn how to use a whole studio in one day. “I didn’t know what I wanted to make when I got there. The guy who owned the studio was amazingly helpful. He took me through it all and then the next day, I just started playing the drums a bit then over to the guitar, then the bass, then the vocal booth, and it all happened very quickly because whenever I picked up a new instrument, I was just responding to the bit that I had just played on the last instrument I had. It was a bit like building a house out of blocks that are all different shapes and sizes, and you have no idea what the house will look like at the end of it, or even if it’ll work, but it’s just fun building it.”
‘I Look At The Sky’, the sixth song in the album has just been accompanied by a video fit for a 90s acid art exhibition, whom Jim acquired the help of his friends; Ben Newman an illustrator and art director, Irene Fuga an artist and illustrator and the director Dave Brown, a photographer, designer and Bollo from The Mighty Boosh. “The man in the furry suit [in the video] is an excellent illustrator called Ben Newman. We do a regular podcast together called Newten’s Porcelain Panther, where we talk to creative people about their inspirations and favourite music and things. I have always loved the way Ben dances. He is a free mover. No fear. It’s hypnotic. So, I had an idea that I wanted to just film him dancing to my song, and the idea grew from there.”
I take a lot of joy from the lyrics to this song, and it’s a song where a lot of people can relate. “Why on earth are we here, it just blows my mind” is a lyrical stroke of genius, but what’s the best thing about expressing thoughts through lyrics, I ask Jim. “I guess the best thing about expressing thoughts in a song is that you can talk about things in a song, that might just be too boring or difficult to talk about in a normal conversation.”
I backtrack to Jim’s expression of making music because he couldn’t find his sound elsewhere, and quiz him on wether he would still have started making music if his music already existed. “I think I would’ve started to make music anyway. I started recording music when I was at university. I would make animations and then make the soundtrack for them. No words though. Just weird instrumentals. Then, when I graduated, I borrowed a friends 4 track tape recorder and recorded the first album on the bandcamp site (in bear care). So it started partly out of a practical need for specific music and partly out of an enjoyment of the creative process.”
Jim is an artist among many others who deliver their music via the internet’s many song hosting websites, including Bandcamp & Soundcloud. King Krule cited the internet has played a huge part in his success and this is the same for many artists now. It’s websites like these that make music just so accessible, but Jim thinks this is possibly a negative thing. “It is good to have somewhere that I can put my music that people can listen to. But I wish it was easier to get people to listen. I think the internet has changed the way people listen to music entirely. There’s too much choice and it is all too easily accessed. I keep an eye on how many people listen every now and then, and I can see how many people switch off before the end of the song and it is extraordinary how quickly people get bored and move onto the next free album by someone else just like me. It’s mad. I don’t listen to music on the internet for exactly this reason. I like that my choice of what I listen to is limited to how many records I have. It means that I make a choice, and I stick to it. I listen to a whole album because of how a record plays. It cannot be skipped by hitting a button.
“But luckily, I still make music primarily for myself. The only difference now is that I can share it too. If people listen, then that is excellent. But I don’t get upset if no one listens. Having said that, it would be a very nice thing to be signed by a big record company off the back of what I have put up on Bandcamp.”
Jim is also a guitarist and singer in the band Owen & The Eyeballs, made up of four illustrators, who have described their sound as ‘wrong pop’. When I ask him about the differences between making music alone and with the band, he says the decisions get made faster. “[This] can be both a good and bad thing. The control is equally split between the 4 of us when the band writes songs. Decisions get made by talking it out, everyone saying what they think and explaining why. Then we all decide together. But on your own you can just do more what you feel is right, and work from there.”
Clearly, though, Jim has shown he works incredibly alone, and you should totally get listening to ‘On A Flying Frog’ ASAP. You can listen below, but first I asked Jim some random questions to find out a little bit more about this multi-tasking coffee drinker.
What’s your ideal listener like?
Ideal listener is Pharrell Williams.
Sorry to be cringe but do you have any mottos you live by?
Mottos? It’s better to be busy than bored.
My questions have been pretty basic, so… What’s it like to be interviewed? Do you feel exposed? lolz
Yes I feel very exposed indeed. It’s good being interviewed. It’s good to be challenged by questions about things you make.
Last year saw feminism take a very positive turn, gaining more media mentions than ever, a ‘re-brand’, and even Ryan Gosling. But real equality is being overlooked and it’s perhaps not a re-brand we need but more understanding.
The word feminism to you may sound positive, cringey, outrageous, hairy, stupid, fabulous, sassy or even confusing. Until the last couple of years, the word ‘feminist’ meant to most an abundance of hairy genitalled, hairy armpitted, bra-burning women, probably lesbians, at least without a boyfriend. However, the modern human can see this stereotype is absolutely a stereotype. The phrase feminism is changing and the conduct expanding at an exceptionally rapid pace.
Last year alone, ELLE magazine had a meeting to ‘rebrand’ the word feminism, Beyonce released another profoundly empowering album, men began announcing they were feminists and feminism generally saw more attention in the media than ever before.
This is the time where feminism isn’t just about growing out your pubes. It’s the time where everybody gets involved – where everyone is aware of the sexism that has infected its way into our society today and everyone is defended. This is the time where feminism makes Pussy Riot look almost like pussies. This is the time where it’s about equality in every way possible. We cannot ignore anymore that from 300,000 women are raped every year, nd 1 in 4 have been sexually assaulted. We cannot sit back and let other women (and men) do it for us. We all have to come together to realise that gender equality is a myth.
A lot of us can get pissed off when a man in a van toots his horn and yells something mildly disgusting, but imagine then he makes a racial slur, points out your religion and calls you a lesbian. ‘Intersectional feminism’ is the crucial tipping point between just feminism and the minorities which feminism leaves behind. Intersectionality raises awareness of all oppression regarding also race, sexuality, class, religion, physical measures and anything and everything discriminatory. It has been seen that black females have not been represented by feminism properly, and as Lola Okolosie, an English Teacher and writer says, “Through [intersectionality] black feminists have been able to point out the failures of the wider feminist movement.”
It’s no use feminism being used to defend only middle-class, white females. We need to improve woman’s rights for all. Every man and every woman needs to be aware that it isn’t just sexism we are fighting against. There’s a whole lot of fucking discrimination out here.
Sadly, when asking my brother if he’s a feminist, the following two words were not ‘love’ and ‘you’, so I think we have some work to do.
Image by Paula Cooke, Art Baby Gallery